I’ve wanted to be a photographer since I was 12 years old, and while my path to weddings was unexpected, in retrospect it seems meant to be. I dreamt of telling epic stories that would outlive me, a window into the past for future generations to cherish. My love of photography brought me to NYU where I studied photojournalism, fashion photography and aesthetic philosophy, focusing on photography’s ability to mold the way we see the world. After years of working in fashion and wildlife documentary photography I found my passion in documenting weddings with a unique editorial style. I love that on the same day I get to create wildly romantic portraits, style still life vignettes, and become a fly on the wall recording some of the rawest and most vulnerable moments of our lives. All of my photographs working together to capture the ephemeral essence of a wedding day.
I don’t fall in any one particular aesthetic genre of wedding photography, I’m not a strict fine art photographer and I’m not a strict photojournalist. I will clean up your getting ready suite. I will move a flower to shoot it from the best angle. I will move you into the best light while you put on your wedding dress and scout the best location for your first look. I will NOT copy poses off a pinterest board. I will not take a photograph that feels inauthentic to the spirit of the day. I will not pose you in a way you feel uncomfortable or fake. I will find luminous light, a beautiful setting and art direct the scene while letting the magic unfold in front of my lens. I may tweak the way you are standing with the intention of always making you look your best, a bend of a leg here or an extension of an arm there, but always subtly without taking you out of the moment.
When I create an image, either candidly or posed, three questions run through my mind: how is the light, is the composition dynamic and is it flattering? The first two are important, but won’t matter if you don’t like the way you look in your photo. A great image should have all three. Most people can identify an image they like, but will not know why they like it. It is my job to know. It is my job to create compositions with the same intention of a neoclassical painter, while also finding the most flattering light with the awareness of an impressionist. Because at the end of the day that’s all I’m doing, painting with light, which is the literal definition of photography (photo=light, graphy=drawing).
One of my favorite aesthetic philosophers, Roland Barthes, broke down his analysis of a photograph into two parts: the studium and the punctum. The studium is what a photograph denotes. It is subjective. Every photograph has one. The punctum, however, is personal. It is what the photograph connotes. It is what jumps out of the photo and wounds you, personally connecting you to the image. The punctum can coexist with the studium, but it changes it. It transforms an image you like into an image you love. My intention on your wedding day is to create images full of punctum- images that pierce you. Images that stay with you for the rest of your life. Images that capture your spirit, suspended in time, living eternally. To read more about the philosophy and thought process behind my photography read my instagram series #rypbehindtheframe.
My studies in school focused on how photographs not just mold the way we see the world but how they can actually change the world. My photographic heroes are Jacob Riis and Lewis Hine who brought an end to child labor in America and brought housing reform to the tenements of New York through their images. I will always have a love for documentary photography and I work with many non-profits both in Los Angeles and internationally. I am a member of UNICEF's Next Generation Board and have been in field with them in Rwanda and Mexico. As a company I have taken a pledge for inclusivity you can see below and in addition to UNICEF, am an active supporter of WWF, Black Lives Matter, The Special Olympics, GLAD, Planned Parenthood, Best Friends Animal Sanctuary, and the ACLU among others. My maltese-mutt rescue pup, Margo, is the official RYP mascot and loves to meet clients in my studio.
I am a believer in love knowing no bounds. I am committed to the promotion of diversity, inclusivity and celebrating our differences as they are what makes us beautiful. I pledge as a business to accept, respect and include clients, employees and fellow vendors of all races, colors, religions, sexual orientation, gender identity, national origin, ancestry, special needs, or disability. I pledge to be an active participant in the collective journey to overcome the fear of difference and replace it with the power of inclusion.
I strive to create romantic, candid, timeless portraits that capture the spirit of your unique love while making you feel stunning. I work with my clients to put them at ease in front of my lens, art directing rather than posing. Poses look inauthentic and awkward. Real life looks sloppy and unrefined. My style is an intersection of the two, highlighting where raw meets refined: flattering portraits that feel like authentic candid moments. Portraits created with subtle guidance, imbuing you with confidence, making you feel like the best versions of yourselves while mindfully keeping you present in the moment together. Portraits that capture the ephemeral essence of your wedding day, transporting you back to a perfect frozen moment, forever suspended in time. Intentional portraits transcend the visual. They instantly connect all of your senses to everything you felt in the moment- from the electric spark of your spouse’s fingertips as your hands touch to the sweet scent of flowers in the air. So much more than mere snapshots, great portraits bottle your emotions, serving as an invitation to the past, allowing you to relive your wedding day eternally. Your authentic selves, your authentic love, refined.